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('Never Say Farewell', d. Karan Johar, 2006)

Mush master Karan Johar's latest three hour-plus opulent extravaganza is a rather embarrassing attempt at a serious subject matter - in this case, infidelity. A topic rarely covered in mainstream Hindi cinema, but nonetheless treated with far more sensitivity and maturity in past films (such as 1981’s Silsila) than Johar has seen fit to unleash upon the public here. Johar’s previous movies have been accused of being too ‘candyfloss’ and featuring insufferably nice and all-too-perfect characters. This moodier drama is presumably his retort, but Johar seems to equate imperfection with downright nastiness rather than simple shades of grey. You’d be hard pressed to find a single sympathetic character in KANK, what with everyone wallowing in their own self-pity as their respective relationships crumble inside their swanky New York apartments that even the cast of Friends would struggle to afford.

The darker narrative is equally as difficult to take seriously thanks to the frequent undercutting of some truly cringe-worthy comedy sequences – mostly involving Amitabh Bachchan as ‘Sexy Sam’, a shag-mad pensioner whose favourite pastime is bedding prostitutes (all non-Asian, of course). The rest of the cast have a hard time escaping this one with any dignity also – in particular Shah Rukh Khan, who reaches an all-time hamming high, and Preity Zinta, who is as vapid as ever. Only Rani Mukerji manages to salvage some empathy with a typically restrained and heartfelt performance. Karan Johar’s earlier films may have been frivolous fluff all right, but they were at least entertaining and full of heart. Kabhi Alvida Naa Kehna is just painful, self-indulgent and pretentious claptrap. Stick to the candyfloss next time, Karan.


NOTE: Both DVD releases featured in this comparison have been incorrectly colour graded by the distributors at the encoding process. To give an example of how badly, comparison shots from the original TV promos have been included.

DVD Comparison:

Yash Raj Films R0 NTSC [UK/US/India] vs Rapid Eye Movies R2 PAL [Germany]
(with comparison promo shots)


Yash Raj Films R0 NTSC [UK/US/India]

Rapid Eye Movies R2 PAL [Germany]
Cover art:


Running time: 3:12:24 3:04:48 (4% PAL speed-up)
Video: 2.25:1 Aspect Ratio
16:9 Anamorphic
NTSC 720x480p
29.97 fps (with 2:3 pulldown)
Average Bitrate: 4.89 mbps
2.35:1 Aspect Ratio
16:9 Anamorphic
PAL 720x576i
25 fps
Average Bitrate: 5.77 mbps
Audio: Dolby Digital 5.1 (448 kbps)
- Hindi

Dolby Stereo 2.0 (192 kbps)
- Hindi

Dolby Digital 5.1 (384 kbps)
- Hindi

Dolby Digital 5.1 (384 kbps)
- German (dubbed)

Subtitles: English
Arabic
Malay
Tamil
Telugu
Kannada
German
Extras: The Making
Deleted Scenes
TV Promos
Theatrical Trailer
The Making
Deleted Scenes
TV Promos
Theatrical Trailer
Karaoke Songs
Karan Johar in Frankfurt


DVD Menus:

Yash Raj Films R0 NTSC (TOP) vs Rapid Eye Movies R2 PAL (BOTTOM)



DVD Screenshots:

TV Promos (TOP) vs Yash Raj Films R0 NTSC (2ND) vs Rapid Eye Movies R2 PAL (BOTTOM)

TV Promos (TOP) vs Yash Raj Films R0 NTSC (2ND) vs Rapid Eye Movies R2 PAL (BOTTOM)

TV Promos (TOP) vs Yash Raj Films R0 NTSC (2ND) vs Rapid Eye Movies R2 PAL (BOTTOM)

TV Promos (TOP) vs Yash Raj Films R0 NTSC (2ND) vs Rapid Eye Movies R2 PAL (BOTTOM)

TV Promos (TOP) vs Yash Raj Films R0 NTSC (2ND) vs Rapid Eye Movies R2 PAL (BOTTOM)

TV Promos (TOP) vs Yash Raj Films R0 NTSC (2ND) vs Rapid Eye Movies R2 PAL (BOTTOM)

TV Promos (TOP) vs Yash Raj Films R0 NTSC (2ND) vs Rapid Eye Movies R2 PAL (BOTTOM)

TV Promos (TOP) vs Yash Raj Films R0 NTSC (2ND) vs Rapid Eye Movies R2 PAL (BOTTOM)

TV Promos (TOP) vs Yash Raj Films R0 NTSC (2ND) vs Rapid Eye Movies R2 PAL (BOTTOM)

TV Promos (TOP) vs Yash Raj Films R0 NTSC (2ND) vs Rapid Eye Movies R2 PAL (BOTTOM)

DVD Comments:

Neither of the two available DVD releases of KANK provide a wholly pleasing transfer. Yash Raj Films’ NTSC video is progressively encoded and boasts decent detail, but some slight cropping is evident on all four sides - and then there’s that horrid, dull blue tint ruining every shot. Some botched colour grading there for sure. The PAL German disc from Rapid Eye Movies uses the same master as YRF’s, but a colour filter has been applied to remove as much of the blue as possible. This has just resulted in yet more problems however, with colours now left over-saturated and marred by an unnatural orange appearance. Elsewhere, sharpness is less impressive than on the YRF DVD and even more cropping is prevalent as well.

The audio on offer is more satisfying with few reports of distortion on the YRF disc, but REM’s has been pitch-corrected leaving it sounding rather garbled at times. This is a practise the German label really ought to abandon ASAP. The by-the-numbers extras are identical on both releases, though the REM DVD has a short interview with director Karan Johar as a bonus. As to which release is the best to go far, I’d lean towards the YRF disc thanks to the superior audio as well as the adequately-translated English subtitles which non-Hindi/German speakers will doubtless require above all else.


Score card

Yash Raj Films

Rapid Eye Movies
Video:
6/10
6/10
Audio:
8/10
6/10
Menus:
8/10
6/10
Extras:
5/10
5/10
Winner: Yash Raj Films



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BollywoodOnDVD.com @ 2006